The first panel contains the only allegorical figures in the frieze. America, wearing a liberty cap, stands in the center with her spear and shield. To her right sits an Indian maiden with a bow and arrows, representing the untamed American continent. Also at America's feet is a female figure representing History, who holds a stone tablet to record events as they occur. An American eagle perches on a fasces (a bundle of rods symbolizing the authority of government). The man in the background to their right is in the same pose as the prospector at the end of "Discovery of Gold in California," since artist Constantino Brumidi planned to have this scene connect with his last one.
Frieze of American History
The frieze in the Rotunda of the United States Capitol contains a painted panorama depicting significant events in American history. Thomas U. Walter's 1859 cross-section drawing of the new dome (constructed 1855-1863) shows a recessed belt atop the Rotunda walls with relief sculpture. Eventually it was painted in true fresco, a difficult and exacting technique in which the pigments are applied directly onto wet plaster. As the plaster cures the colors become part of the wall. Consequently, each section of plaster must be painted the day it is laid. The frieze is painted in grisaille, a monochrome of whites and browns that resembles sculpture. It measures 8 feet 4 inches in height and approximately 300 feet in circumference. It starts 58 feet above the floor.
The frieze is the work of three artists, Constantino Brumidi, Filippo Costaggini and Allyn Cox. It was designed by Brumidi, an Italian artist who studied in Rome before emigrating to America. Brumidi created a sketch for the Rotunda frieze in 1859 but was not authorized to begin work until 1877.